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Deconstructed Artichoke Press - Nikki Thompson

I am fascinated by the history of things. In Riots Become Protest I'm questioning why textbooks don't tell history from the Black perspective when they are talking about the interactions between Blacks and Whites.  Then in Fire! No Exit I am exploring the Triangle Shirtwaist Factory Fire and working conditions with the present day issues of housing conditions and the shortage of affordable housing in the Ghost Ship Fire. Feminism is often at  the heart of what I make. I’m comparing the history of healthcare around the pill and viagra in the Pill v the Pocket Rocket. The book also focuses on women’s contributions to an economy. And finally my last book, To Vote As We Work, is an homage to the leaders in the suffrage and union movements. I wanted the emphasis to be on women who were less well known than Elizabeth Cady Stanton and Ethel Rosenburg.

I use my press, Deconstructed Artichoke Press, to make artist’s books, zines, and printed doo-dads to explore such things as feminism, social justice, and politics through the mixed media of bookmaking, printmaking, poetry, and letterpress. I use innovative structures and materials to reflect the book's content. Each book is handbound and contains a little bit of humor to talk about serious subjects, or not so serious!

To make the zines I used paper and either an Epson Stylus Photo R3000 or a Brother HL-L2340DW. For the artist’s book, I letterpress printed the images. I used a Kelsey Excelsior for the two runs through the press (purple and green, the colors of the suffrage movement). I then bound the book using a structure that can be done with a single sheet  of paper to make an accordion. Instead I sewed pages together to make the book. Using book cloth I pasted the covers  on the first and last cards of the book. It can hang on the wall or be “read” as a book.

www.deconstructedartichokepress.com

IG: @d_artichoke

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Deconstructed Artichoke Press, Nikki Thompson (she/her), Riots Become Protest 2020 paper zine

Deconstructed Artichoke Press, Nikki Thompson (she/her), Riots Become Protest 2020 paper zine

 

Deconstructed Artichoke Press, Nikki Thompson (she/her), Riots Become Protest 2020 paper zine

Watch my zine Riots Become Protest unfold.

 

Deconstructed Artichoke Press, Nikki Thompson (she/her), Riots Become Protest 2020 paper zine

Deconstructed Artichoke Press, Nikki Thompson (she/her), Riots Become Protest 2020 paper zine

Reflection on the Zines and Artists’ Books of Nikki Thompson

Unfolding Political History by Mark Brown, Professor of Political Science, CSUS

With her artists’ books and zines, Nikki Thompson transforms political history and social criticism into a three-dimensional experience for eyes and hands. The viewer would like to pick them up, open and explore them -- not possible with an online exhibit, of course, but perhaps you can imagine it. They feature vibrant colors, ingenious folds, and engaging text and graphics. They invite you to ponder and reflect, to turn things over in both your mind and your hands. With the haunting zine Fire! No Exit, Thompson juxtaposes two well-known and horrific building fires, each of which killed dozens of people, a century apart. The victims in each case had lived on the edges of society, struggling to make their way in the face of elite indifference and unjust social conditions. The Pill versus the Pocket Rocket offers a concise and compelling lesson on the political economy of sex. Many politicians and insurance companies apparently care less about the life chances of women than the sexual potency of men. Riots Become Protest invokes a legendary educator and activist, Howard Zinn, to tell us about the dedicated teachers who work extra hours to go beyond the whitewashed history still taught in many schools. The zine’s timeline packs more social justice history onto a single page than you will find in many high school history textbooks. To Vote As We Work asks us to remember the names and faces of twelve women from long ago, many of them union activists, who fought for social justice and the right to vote. Their portraits are linked by slender threads, like the memories that this remarkable artists’ book creates, connecting us to these courageous women. Each of these works, in both form and content, calls us to work for a more just and democratic world. As Nikki said to me about the zines, “I like the way you can give them out at a protest.”

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